A moment is a time to be felt. A time that cannot be measured. Minutes, years — a moment encircles what it is filled with. Ambiguous yet precise. Perishable yet lasting. At this moment in time, when we measure to value, count and gain, we seem to need the perspective that a moment can give. Much of what we have learnt through making has disappeared or been forgotten. Consumerism, industrial methods, political oppression and economic exploitation have all changed our material relationships and altered the connection between nature and the making hand. Historical and indigenous knowledge, techniques and skills, however, are beginning to reassert themselves. In craft we can see how both makers and objects embody an evolving dialogue with time, place, materials and techniques. Our relationship with the hand emerges as a reminder of the origin of our proficiency in making, as a means by which our imagination is unleashed. A crafted object may materialise countless ways of relating to this world and might even house our souls. The crafted object can perhaps be considered as a ‘maker’ in its own right: making moments of connections between us, our memories and our environment. Within these connections lies a greater story about our own complex being as part of everything.